• Self-kindness: Being kind, gentle and understanding with yourself when you’re suffering.
• Common humanity: Realizing that you’re not alone in your struggles. When we’re struggling, we tend to feel especially isolated. We think we’re the only ones to experience loss, make mistakes, feel rejected or fail. But it’s these very struggles that are part of our shared experience as humans.
• Mindfulness: Observing life as it is, without being judgemental or suppressing your thoughts and feelings.

The first part of the Being and Flowing Sequence is a basic relaxation session where some (or several) of the techniques of guided imagery or meditation can be used. In fact, for this type of relaxation, you can use new techniques or techniques that are familiar to you and that have worked for you in the past. If you do the sequence regularly, you can switch between techniques if you like.

One caveat: We find that general medical/therapy techniques, specifically those that are not associated with a particular spiritual path, work best for the Being and Flowing meditation in this context. (We link to some general relaxation techniques from the University of Maryland Medical Center, below). 

Being and Flowing First Step: Basic Relaxation Session

One: Position

If you are outdoors, find a quiet, safe place in a garden, park, beach or woods. Remember, safety comes first. If you are indoors, find a place where you won’t be disturbed. Sit on a floor cushion or in a chair with your feet on the floor, or lie down in a comfortable position. Whatever position you choose, try to remember, you might choose not to move or shift while being and flowing, so make sure it’s really comfortable.

Two: Watch Your Thoughts

Once you are comfortable, the first thing to keep in mind: Don’t worry about your thoughts. Allow them to come and go as they wish. Give them their freedom to come and go as they like. Don’t try to control them. Just observe them. 

Three: Watch Your Breath

Don’t try to control your breathing. Just observe your breath. If you are familiar with breathing techniques and want to try them, you could, but to forge a new path it’s sometimes good to let go and experience non-familiar meditative pathways.

Four: No Goal

If you feel stressed or anxious, remember: there is no goal here. Just passively watch where your thoughts and breath take you. If after a few tries anxiety (or boredom, which can be a symptom of anxiety during meditation) feels overpowering, take a break.

Five: Far Away

At some point, your thoughts may seem to “melt away”. They may feel far away; you know they’re there, but they don’t seem to touch you, or you don’t really touch them. There is a gulf between you and your thoughts, including your less-than-helpful ones. When they are so far away, their ability to control you is greatly diminished.

Help!

If you need help we recommend you try music. We really like (and recommend) Dr. Harry Henshaw’s relaxation music. (Last year, we interviewed him, here.)

Dr. Henshaw’s audio tracks of free-floating music are really de-stressing. We can best describe them as providing a musical pathway on which your thoughts can flow. His music doesn’t restrain or confine your thoughts as much as gently supports them. We really liked the ones on these pages; so far, we’ve sampled the uplifting music of Clarity, the gentle vibrato of Cosmic Reflection, the sweet tones of Equilibrium and the progressions of Inner Peace.*

If you want more concrete help the techniques of progressive relaxation (and toe tensing) can be very helpful. The University of Maryland Medical Center has clearly outlined them. They recommend the techniques for sleep disorders, but they are also helpful for tension and anxiety. One quibble: they don’t mention that slightly tensing each area of the body (not just the toes) before you relax that part, can be even a more powerful path to relaxation.

We’ve made our own relaxation recordings at home. We record our soft, slow voices giving a step-by-step progressive relaxation session. You might enjoy making your own recordings, too.

Being and Flowing Second Step: Journal

If you are in therapy, or even if you’re not, it’s a good idea to do a Being and Flowing journal. Some people like to share this with their therapist, others don’t. It’s up to you.

You might consider doing an audio or video recording if you don’t like to write. Writing or otherwise recording your general experience with your relaxation session, is a good starting point. Then, if you like, continue to write or otherwise comment on your experience of your thinking process. What were your thoughts? Were you able to let them drift by? Did any thoughts “stick” more than others? Did new thoughts, thoughts you never “thought” before, pop up?

Also, you might explore the self that observed the thoughts. And so on. If you don’t like to write and don’t want to do an audio or video recording, you can try illustrating your experience by drawing, painting, collage (found objects, fabric, and so on), photography, etc.

Once you have a sense of Being and Flowing, you’ll might find yourself being able to step back, even in a non-relaxing session, from your thoughts that are not beneficial. You might find it easier to dispassionately examine your thoughts (and beliefs, which are a type of thought often mingled with emotion) and see if they are really beneficial to you.

In fact, a very important, even central, part of therapy is examining thoughts and beliefs that hamper or are openly damaging to: your personal growth, relationships, mental health, and physical health. Therapy, in part, teaches you how to “rethink” things, even changing your most closely held beliefs, if they don’t serve your growth. Healing your thoughts is central to healing your life.

How do you treat yourself?     How should you treat yourself? What should you think about yourself? How should you feel about yourself? Well..... how do you treat your best friend? What do you think about them? How do you feel about them? Now take that and multiply it by 10, multiply it by 100. Imagine how you would feel about somebody you were completely in love with, that you loved more than life itself, but it was an unconditional, open, free, healthy love, and not a needy, posessive, jealous, conditional love. Your eyes are wide open and you see all their faults and yet you love them despite their faults, perhaps because of them. Now perhaps you are getting close to how you should feel about yourself..........Simon Meadowcroft

While marketing and mainstream communications campaigns have derived branding inspiration in the comic-like cartoon style of street art, and the values attached to its culture—freedom, community, transgression—the paradox still exists to see it framed and sold through traditional art channels.

We caught up with street artist Rafael Suriani at his recent show, "Collages Urbains", at Cabinet d'amateur gallery in Paris, where he told us more about street art and his relationship with the medium.

Suriani's mark features animals, surviving and thriving in the streets for its powerful and highly recognizable aesthetic. In his half-human-half-animal figures, the animal faces act as liberating masks, allowing the artist to express social criticism in an elegant way. The vibrant, seemingly playful creatures refrain from getting too serious and maintain a suggestive tone that avoids the obvious.

 

The stickers are the result of a double-binding process that first assembles man and animal, then adheres the resulting figure to the wall. In the past, Suriani has drawn from his Latin-American heritage, playing with shamanic mythology figures such as toucan or jaguar. In his recent series, on the other hand, he is more interested in urban domestic animals such as cats and dogs—according to the artist, the convention that they tend to resemble their owners offers a metaphoric way to talk about us people. Recently Suriani made a series of French "Bulldogs" as a special dedication on London walls, using this breed to cartoon and make fun of some French characteristics. Each dog expresses a different state of mind—humor, spirituality, criticism or beauty.

 

Suriani uses the rare technique of hand-painting every poster he sticks on the streets. Making each sticker is the result of a process involving selecting photos from the Internet, cutting them in Photoshop, then screening and painting before cutting the final product. Such repetition lies at the heart of street art practice, which is often based on plastering as many spots as possible, invasion-style.

When considering the ephemeral fate of the piece of work destined for degradation of the elements, police destruction or theft from passers-by, the time and effort for such little reward seems remarkable. Suriani explains, however, that the fleeting nature of his work is freeing and allows him to be audacious with both subject and technique. To him, because there is no pressure or constraint, that achievement is rarely a failure.

In the end, the piece of art is not the only sticker by itself, it is the sticker in its context, seen as a whole on the wall with the daylight shining on it, the motorbikes parked against it or the branch of a tree creeping across. Rarely is the work's time spent on the wall its only life, after all, with the rise of dedicated photographers immortalizing the scenes for the Internet.

Suriani claims his intention to step into the city's landscape by bringing much-needed beauty comes with a positive message. Rather than being aggressive or controversial, Suriani takes pleasure in having people on the street enjoy his figures. His work is bound to the city—physically, geographically and socially—compelling the public to refresh their view of their surroundings and drawing their eyes to the places that typically go unnoticed. As an architect, Suriani has found a way to unveil the city and change people's perception of the scenes they see everyday without truly seeing them. The choice of venue is very important, based on aesthetic consideration with attention to the context and surroundings like the location.

Euro 2012 recently began and, for those of you who don’t know, it’s the European football championship. European football is what we Americans call soccer, and it has slowly gained steam over the years, although still not as popular as American football…  Whether you’re into the championship or not (or even sports in general), you’ll probably love these simple, modern posters David Watson ofTrebleseven designed for it.

Each poster represents a particular country that’s playing, and the colors of their flag are incorporated into one of the various circular designs. I love the typographic twist these posters have and how they don’t have blatant sports references in them.

'AWARE2' gigapixel camera by duke university
above: 3 increasing zoom levels of footage taken by the camera

 
engineers at duke university have developed a camera able to take photos with up to one billion pixels of resolution. 
the 'AWARE2' gigapixel camera uses 98 sensors each at 14 megapixels, capable of detecting detail from as far as 1 kilometer away.
the current model weighs in at approximately 100 pounds, and only shoots in black and white.

explore more of the super high-resolution photos on duke's site with these zoomable examples of a lake scene, building atrium and riverside town.

original image shot at .96 gigapixels; explore the full zoomable image here



the 'AWARE2' camera


camera processor render



making of 'AWARE2' gigapixel camera